Nobel laureate, Professor Wole Soyinka, has described the newly proposed broadcasting code by the National Broadcasting Commission, NBC, as capable of causing unnecessary harm to arts and its producers in the country.
His words: “It is economic sabotage writ large, directed against thousands of practitioners. Regulatory? This is strangulatory in effect!”
Soyinka said while some parts of the code were well intentioned, the unintended consequences could be very harmful.
“Let government kindly take its knee off the neck of this industry. Please – let it breathe!,” Soyinka said.
His statement reads in full:
That NBC REGULATORY CODE
“It is economic sabotage writ large, directed against thousands of practitioners. Regulatory? This is strangulatory in effect!”
I think it is about time the government come out openly and admit that it has declared war against the Arts and its producers, instead of its present tactics of piecemeal attrition. Just when we were reeling from the action of the Ministry of Youth and Development in joining hands with book pirates by providing a free-loading portal for the works of Nigerian authors, among others, along comes a new regulatory hit against the cinema and video enterprise, and its operators. Let me quickly utilise the opening of this new flank to commend the Director-General of the Nigerian Copyright Commission for his prompt attention to the complaint by Nigerian authors.
And now it is the turn of a sister industry to be placed under siege! I have just read excerpts of the newly proposed NBC broadcasting code and become aware of some potentially dangerous aspects of the code. Whilst one concedes that some of the regulations are well intentioned, I shudder to imagine unintended consequences such as backhanded censorship in the age of digital media. These restrict intellectual property rights and their scope of exploitation with whomsoever one chooses to collaborate. It is economic sabotage writ large, directed against thousands of practitioners. Regulatory? This is strangulatory in effect!
Several practitioners’ voices have been raised in protest. For one such insider’s detailed and passionate exposition on the deleterious provisions of this Code, I shall draw particular attention of policy makers to Chris Ihidero’s Why Does the NBC Want to Kill Local Content in Nigeria? If I may invoke a contemporary tragic image to render graphically what Ihidero and others have pleaded on behalf of both creators and consumers of this artistic productivity:
Let government kindly take its knee off the neck of this industry. Please – let it breathe!
Wole SOYINKA
A.R.I Ijegba
